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风的原色
The script is a dud (again), characters are underwritten, some gestures don’t seem to have any purpose, there is conflict between what shows and what means. Camera work is the only bright spot, but you can also argue that he sacrificed the content for the form.
阿宙
是很当下的移民故事很感同身受女主内心的挣扎迅雷种子你懂得好像无论东西方都无法被人真正了解最完整的自己但她被爱着就是幸运的更愿意相信最后离别的痛哭是因为彻底告别了一部分的自己@73Berlinale
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